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Community Supported Economy – CSX – New entrepreneurial narratives in words, deeds, and pictures
(2023)
This book is the result of committed individuals coming together around a shared interest: community-supported (CS) entrepreneurial narratives – existing ones and those which want to be told from now onwards.
While each chapter, i.e. author collective tells different stories, what they have in common is the finding that so-called “alternatives” or solutions do not necessarily need to be invented but to be seen and experienced.
This book is an invitation to learn from practice – to learn from the emerging future – and imagine and feel into new narratives. May this book be useful to both: those of you who first get in touch with the concept of community-supported economy (CSX); and the entrepreneurs among you who want to take ‘economy’ literally. ‘Oikonomia’ originally means household management. Therefore, economy is actually an act of caretaking. Let us do take care of what lies in our hands, e.g. the transformation of economic systems, hence the way we relate to each other.
This thesis aims to develop a FE-based model of a dieless wire drawing process for wires made from magnesium alloys. To this end a general material model of pure magnesium and a model of the dieless wire drawing process are developed. Based on the general pure magnesium model an alloy specific model for AZ31 wire is developed. The performance of both models is assessed using experimental data generated on a dieless wire drawing prototype.
The process model is conceptionally split into the thermal and mechanical response of the wire. The thermal model is validated by axial temperature profiles and the mechanical model is vali-dated by CSA-reduction and wire force. Both behaviours are validated separately before combin-ing the thus created models into a thermomechanical model of the dieless wire drawing process. The thermal material model is developed for pure magnesium. An initial assumption of limited correlation between content of alloying elements and thermal behaviour, was disproven. As a results in addition to alloy-specific mechanical data, thermo-electric data is recorded to achieve thermal validity of the model. This is done by identifying the experimental maximum temperature of the drawn wire for a given heating power and calculating the necessary input power of the in-duction heating device to achieve this temperature in simulation. The mechanic material model is based on experimental stress-strain curves recorded for each investigated wire materials in addi-tion to pure magnesium data, based on literature.
Results show the thermomechanical magnesium models to be mostly valid, provided process parameters stay within the range of available data on the mechanic material performance. Where the model is forced to extrapolate material behaviour, simulation quality drops. This ap-plies for wire temperature and CSA-reduction. Estimations of wire force are shown to be invalid. For AZ31 wire the thermal model generated valid temperature profiles of the wire. The thermo-mechanical model for AZ31 is shown invalid as both CSA-reduction and wire force deviate from experimental results.
Musikclubs zwischen Szene, Stadt und Music Industries : Autonomie, Vereinnahmung, Abhängigkeit
(2020)
Das Buch beinhaltet eine ganzheitliche Untersuchung von Musikclubs als Akteure der kulturellen Produktion. Die Einbettung von Clubs und ihre Reaktion auf Veränderungen in ihren sozialräumlichen Bezugsfeldern lokaler Musikszenen, des Stadtraums und der Music Industries stehen dabei im Zentrum der Analyse und werden empirisch durch drei Fallstudien der Hamburger Musikclubs Mojo, Molotow und Golden Pudel erfasst. Die Forschungsergebnisse zeigen, dass sich Musikclubs individuell und in Relation zu ihren räumlichen Strategien entwickeln und gegenüber Umfeldveränderungen verhalten. Ihr Agieren variiert zwischen pragmatischer Anpassung bis hin zur Durchsetzung subkultureller Strategien und lässt auf spezifische Typen schließen, deren Pfade trotz ähnlichem Entstehungskontext in unterschiedliche Richtungen verlaufen. Der Inhalt Stadtraum, lokale Szenen und der Club im Distributionssystem populärer Kultur Spannungsfelder DIY- und szenegeprägter Clubräume Drei Fallstudien exemplarischer Clubräume in Hamburg Clubräume zwischen DIY Ethos, Stadt und Music Industries Generalisierung und die Frage nach DIY basierten Clubtypen Die Zielgruppen Dozierende und Studierende der Musik- und Stadtsoziologie, Popular Music Studies sowie der Kulturwissenschaften Stadt- und Kulturpolitiker, Kultur-, Musik und Clubschaffende, Vertreter kultureller Interessen Der Autor Robin Kuchar ist Kulturwissenschaftler und arbeitet am Institut für Soziologie und Kulturorganisation der Leuphana Universität Lüneburg.